WHICH COURSE IS RIGHT FOR ME?
Below is a list of what each course teaches. Ask yourself the question, do you know this concept?
AP 101: A Crash Course in Piano
The notes – sharp and flat
Major Scales of C, F, G
Major Chords in the keys of C, F, G
Minor Chords in the keys of C, F, G
Inversions of major and minor chords
Playing Bass in Left Hand with Matching Chord in Right Hand
Musical Roman Numeral System
How to Write Your Own Songs Using I, IV, V chord
How to Write Your Own Songs Using I, IV, V, vi chord
How to Write Your Own Songs Using ii, iii, vi chords
How to play “Anointing” using major and minor chords and the Roman Numeral System in C, F, G
How to play “Surround Me” O Lord using major and minor chords in C, F and G
Passing Chord Vamps for the I, IV, V in C, F, and G
How to Play Fast Pentecostal & Gospel Style Songs in C, F, G using Passing Chord Vamps
Fast Song Turnarounds in C, F, G
How to Play “Can’t Nobody” and “Jesus On the Mainline” in C, F, G using Passing Chord Vamps & Turnaround
Dominant 7ths on I, IV, V in the keys of C, F, G
Where and how to Substitute Dominant 7ths in Songs
Minor 7ths on ii, iii, vi in the keys of C, F, G
Where and how to Substitute Minor 7ths in Songs
Major 7ths on I and IV in the keys of C, F, G
Where and how to Substitute Major 7ths in Songs
Suspended 2 Chords on I, IV, V in the keys of C, F, G
Where and how to Substitute Suspended 2 Chords in Songs
How to play “Anointing” using dominant 7ths, minor 7ths, major 7ths and Suspended 2 Chords in the Keys of C, F, G
How to play “Surround Me O Lord” using dominant 7ths, minor 7ths, major 7ths and Suspended 2 Chords in the Keys of C, F, G
Passing Chord Vamps with 7ths
How to play fast Pentecostal and Gospel style songs using Passing Chord Vamps with 7ths
How to Play “Can’t Nobody” and “Jesus On the Mainline” in C, F, G using Passing Chord Vamps with 7ths & Turnaround
Different Fills and Runs are taught through the course also, some of which include the Broken Chord Fill
And Octave Chord Fill as well as different variations in playing them.
Chord Sheets are used in all lessons – not classical bars and staffs.
The Focus is one teaching to play by ear using chords and chord substitution theory.
* The above-mentioned concepts are an overview of the course – there are many other things taught in this 12 Lesson course which includes 3 Hours of Video Instruction Time, as well as PDF Lessons & Goals, Online Quizzes, and Practice Tracks.
AP 102: A Crash Course in Chords
Quick Review from AP 101: How to Play and Substitute Dominant 7ths, Minor 7ths, Major 7ths, Suspended 2 Chords
Introduction to Ninth Chords Including Dominant 9ths, Minor 9ths, Major 9ths
How to Play Augmented (+5) & Suspended 4 Chords in the keys of C, F, G
Inversions for Augmented (+5) & Suspended 4 Chords in the keys of C, F, G
Using Augmented (+5) & Suspended 4 Chords to play “Amazing Grace” and “This Is the Air I Breathe” in the keys of C, F, G
Where and How to Substitute Augmented (+5) & Suspended 4 Chords in the keys of C, F, G Using Chord Substitution Theory
The Major Pentatonic Scale on the I, IV, V chords in the keys of C, F, G and using this scale to play fills and runs.
How to Play Diminished, Sixth and Minor Sixth Chords in the keys of C, F, G
Inversions for Diminished, Sixth and Minor Sixth Chords in the keys of C, F, G
Where and How to Substitute Diminished, Sixth and Minor Sixth Chords in the keys of C, F, G Using Chord Substitution Theory
Using Diminished, Sixth and Minor Sixth Chords to play “If You Can Use Anything Lord,” “There Is No Telling,” and “Everybody Will Be Happy Over There” in the keys of C, F, G.
How to play Bouncing Bass with Sixth Chords in the keys of C, F, G.
Using Bouncing Bass to play “Everybody Will Be Happy Over There” in the keys of C, F, G
Ear Training Part 1 for Going from I to IV and I to V.
Ear Training Part 2 for Going from I to I/iii to IV and I to vi to V.
Ear Training Part 3 for Going from I to ii to I/iii to IV and I to V/vii to vi to V.
Additional Fills and Runs for Playing play “If You Can Use Anything Lord,” “There Is No Telling,” and “Everybody Will Be Happy Over There”
How to Play Augmented 7ths & Half Diminished 7ths in the keys of C, F, G
Inversions for Augmented 7ths & Half Diminished 7ths in the keys of C, F, G
Where and How to Substitute Augmented 7ths & Half Diminished 7ths in the keys of C, F, G Using Chord Substitution Theory
Using Augmented 7ths & Half Diminished 7ths to play “Glory to Your Name (Byron Cage),” “If You Can Use Anything Lord,” and “Amazing Grace” in the keys of C, F, G.
Additional Fills and Runs for Using Augmented 7ths & Half Diminished 7ths to play “Glory to Your Name (Byron Cage),” “If You Can Use Anything Lord,” and “Amazing Grace” in the keys of C, F, G.
Fast Song Passing Chords with 7ths in C & G (including “Can’t Nobody” and “Jesus on the Mainline) with extra fills and runs
Fast Song Passing Chords with 7ths in F (including “Can’t Nobody” and “Jesus on the Mainline) with extra fills and runs
How and Where to Play Minor Passing Chord Vamps
How to Play “Can’t Stop Praising His Name” and “Hold to God’s Unchanging Hand” using Minor Passing Chord Vamps
Additional Fills & Runs for “Can’t Stop Praising His Name” and “Hold to God’s Unchanging Hand”
Chord Sheets are used in all lessons – not classical bars and staffs.
The Focus is one teaching to play by ear using chords and chord substitution theory.
* The above-mentioned concepts are an overview of the course – there are many other things taught in this 12 Lesson course which includes 3 Hours of Video Instruction Time, as well as PDF Lessons & Goals, Online Quizzes, and Practice Tracks.
AP 103: Advanced Piano Chords
Quick Review from AP 101 & 102: How to Play and Substitute Dominant 7ths, Minor 7ths, Major 7ths, Suspended 2, Minor 2, Augmented 7th, Half-Diminished 7th Chords & Introduction to How to Play & Substitute Dominant 9ths, Minor 9ths, and Major 9th Chords.
How to Play Dominant 9th, Minor 9th, Major 9ths in the keys of C, F, G
Using Chord Substitution Theory to Substitute Dominant 9th, Minor 9th, Major 9th Chords into your playing
Inversions for Dominant 9th, Minor 9th, Major 9th Chords in the keys of C, F, G
How to Use Dominant 9th, Minor 9th, Major 9ths to Play “There Is No Telling” & “In the Presence of Jehovah” in C, How to Substitute them into “Surround Me O Lord” in the keys of C, F, G
Additional Fills and Runs are taught in these lessons for the Dominant 9th, Minor 9th, Major 9th chords also
How to Play Fully Diminished 7th Chords in every key – focusing on using them in the keys of C, F, G on the #ii #IV and #V chords.
Using Chord Substitution Theory to Substitute Fully Diminished 7th Chords into your playing
Inversions for Fully Diminished 7th Chords in every key
How to Use Fully Diminished 7th Chords to Play “Worthy You Are Worthy,” “There Is No Telling” and “Amazing Grace” in the keys of C, F, G
Additional Fills and Runs are taught in these lessons for the Fully Diminished 7th Chords Also
How to play a left hand walking bass line for fast songs in the keys of C, F, G
Using a Walking Bass Line to Play “Can’t Nobody” in the keys of C, F & G.
Additional Fills and Runs are taught here also.
How to Augmented 7ths with #9 and dominant 7ths with b9 in the keys of C, F, G
Using Chord Substitution Theory to Substitute Augmented 7ths with #9 and dominant 7th chords into your playing
Inversions Augmented 7ths with #9 and dominant 7ths in the keys of C, F, G
How to Use Augmented 7ths with #9 and dominant 7ths to Play “You Are the Love of My Life,” “Silver and Gold,” and “There Is No Telling” in the keys of C, F, G
Additional Fills and Runs are taught in these lessons for augmented 7#9 and 7b9 chords.
Chord Sheets are used in all lessons – not classical bars and staffs.
The Focus is one teaching to play by ear using chords and chord substitution theory.
* The above-mentioned concepts are an overview of the course – there are many other things taught in this 12 Lesson course which includes 3 Hours of Video Instruction Time, as well as PDF Lessons & Goals, Online Quizzes, and Practice Tracks.
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